Press

Denver Westword~“The debut album from Reed Fuchs (déCollage) is a ten-track collection of psychedelic, surrealist pop that oscillates between the melting fluidity of the Flaming Lips and the irreverent DIY experiments of early Beck meshed with some Animal Collective-esque, experimental neo-folk-pop-musical-collective rhythmic structures. Although it’s cut into songs, the album plays continuously, and each tune evolves through phases stretching from melodic indie and washes of white noise to clanks of repurposed percussion and blurps of swaying electronic bass and hypnotic guitar loops.”~Patrick Rodgers

Colorado Music Buzz~“For the adventurous, live shows have a carnival atmosphere and are  more ‘dancy’ than the album experience. You might see someone in a Jellyfish costume on stilts with LED lighting walking across the stage, or artists sitting in with the band. We’ve done several shows with artists sitting in with us,” states Fuchs. “They paint what the music looks like, and we play what their paintings sound like, it’s wild…..déCollage’s first album, ∞The Telos Amaranthine∞ unleashed on October 25, is a sonic palindrome of sorts. The first five tracks of the album play through with no breaks, and you find yourself drawn into a world of sound. And just as suddenly, you realize that the music is being played backwards. As track five ends, the first five tracks play in reverse through to track one…The title track “;) (Semicolon Parenthesis)”, mixed at Snozberry Studios, is a hypnotic piece. “The lead synth line is  (3.14),” says Fuchs, “broken down into musical midi data; creating swirling sacred geometric audio candy.”~Charlie Sullivan

Denver Westword~”Reed Fuchs is the ringmaster of déCollage, a collection of like-minded, freely associating outsider-art terrorists who take collaged sounds and turn them into coherent pop songs. When you see these people perform, you can’t help but think that some freak folks got weirder and hooked up with crust punks, challenging themselves to make music with whatever they could gather on a moment’s notice.” ~Tom Murphy

Colorado Music Buzz
“In an age of synthetic textures and cookie-cutter pop music, Fuchs and his team of musical gypsies manage to cohesively blend everyday noises and samples together with innovative instrumentation and vocals, taking on dreamy and expansive soundscapes, that pull the listener in each time. “~Corey Blecha

The MET-Metropolitan Newspaper   “All art is collaborative. Painters don’t make the canvas they use, or the paintbrushes, or the paint … I want to make that apparent in my music … that the band is a collective or a community of people.” —  Reed Fuchs, The Metrospective-Ian Gassman